die zauberflöte papageno

Tamino is determined to free Pamina from Sarastro. The opera was premiered in Vienna on 30 September 1791 at the suburban Freihaus-Theater auf der Wieden. Both arias of the Queen of the Night, "O zittre nicht, mein lieber Sohn" and "Der Hölle Rache kocht in meinem Herzen" require high F6, rare in opera. / Shall I see you no more, dear one? Die Eltern gleiche Freude fühlen, Character Papageno Show Die Zauberflöte. The two lovers see one another for the first time and embrace, causing indignation among Sarastro's followers. Key Information. • 19. New production on period instruments. In response to the Queen's questioning, Pamina explains that Tamino is joining Sarastro's brotherhood and that she is thinking of accompanying him. crown our love with children, Hier fällt zunächst die extrem transparente Orchesterbesetzung auf. This time round the Royal Opera House's publicity machine is calling it The Magic Flute, but once you're ensconced within its confines the title reverts to the original German, Die Zauberflöte.Either way its the same show, and a damn fine one, and if it helps sell a few extra tickets that's all to the good. [h][33] Tamino declares that he is ready to be tested. Mozart also called for a stromento d'acciaio (instrument of steel) to perform Papageno's magic bells. He faints but, when he comes to, realises that he has been rescued – someone else has killed the monster. ACT ONE Overture A rocky place, partly tree-clad. Search | They advise him to play his magic bells to summon Papagena. Merciful gods! Libretto List | Monostatos and Papageno are each terrified by the other's strange appearance and both flee. The three child-spirits lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina (Quartet: "Zum Ziele führt dich diese Bahn" / This path leads you to your goal). The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: "O Isis und Osiris" / O Isis and Osiris). Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain (Aria: "In diesen heil'gen Hallen" / Within these sacred halls). 11 Duet "Bewahret Euch vor Weibertücken" (zwei Priester) / Act II, Scene IV (Papageno, Tamino) sound engineer: Michel Lepage ( engineer ) … This recitation takes the musical form of a Baroque chorale prelude, to a tune inspired by Martin Luther's hymn "Ach Gott, vom Himmel sieh darein" (Oh God, look down from heaven). Die Zauberflöte has sold out but you can see it live in cinemas and online on Sunday 4 August. Tamino begins to play the flute, which summons Pamina. The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. Arias | Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. Aria: Ach ich fühl's, es ist verschwunden • 18. [10], As Branscombe documents, the earlier performances were often of highly altered, sometimes even mutilated, versions of the opera (see Ludwig Wenzel Lachnith). PAPAGENO Act I. Known for its enduring story and infectious score, Mozart’s Die Zauberflöte captures the imaginations of young and old. Monostatos approaches and gazes upon her with rapture. At the most basic, it is a fantastical evening full of sorcerers, heroes, magical instruments, wild animals, and special effects. An old woman enters and offers Papageno a cup of water. The arrival of the Queen of the Night. Privacy | The Lviv performance was brought to the attention of musical scholarship only recently by, "Die Zauberflöte, Masonic Opera, and Other Fairy Tales (PDF Download Available)", "The otherworldly feeling of Mozart's magic", "Mozart, Kirnberger, and the idea of musical purity: Revisiting two sketches from 1782", "Wolfgang Amadeus Mozart (composer) – Discography of American Historical Recordings", "Mozart: Die Zauberflöte, K620 (The Magic Flute)", "Die Zauberflöte, Masonic Opera, and Other Fairy Tales", International Music Score Library Project, Frontispiece of the first edition libretto, Introduction and Variations on a Theme by Mozart, https://en.wikipedia.org/w/index.php?title=The_Magic_Flute&oldid=996497278, Operas set in fictional, mythological and folkloric settings, Articles needing additional references from September 2016, All articles needing additional references, Articles containing Italian-language text, Articles with German-language sources (de), Articles with International Music Score Library Project links, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, "Der Vogelfänger bin ich ja" (The birdcatcher am I) – Papageno, scene 1, "Bei Männern, welche Liebe fühlen" (In men, who feel love) – Pamina and Papageno (duet), scene 2, "Wie stark ist nicht dein Zauberton" (How strong is thy magic tone) – Tamino, finale, "O Isis und Osiris" (O Isis and Osiris) – Sarastro, scene 1, "Alles fühlt der Liebe Freuden" (All feel the joys of love) – Monostatos, scene 3, "In diesen heil'gen Hallen" (Within these sacred halls) – Sarastro, scene 3, "Ach, ich fühl's, es ist verschwunden" (Ah, I feel it, it is vanished) – Pamina, scene 4, "Ein Mädchen oder Weibchen" (A girl or a woman) – Papageno, scene 5, "Pa–, pa–, pa–" – Papageno and Papagena, scene 10, This page was last edited on 26 December 2020, at 23:33. Composers | She explains that her husband, the previous owner of the temple, on his deathbed gave the ownership to Sarastro instead of to her, rendering the Queen powerless (this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother). From the Magic Flute : a great moment !Papageno : Detlef Roth Papagena : Gaële Le Roi Papageno despairs at having lost Papagena and decides to hang himself (Aria/Quartet: "Papagena! "One of Mozart’s most enchanting works, Die Zauberflöte is a fairy tale that uses familiar archetypes to ask provocative and difficult questions about religion, the nature of power, the bonds of family, and of course love. Mozart: Die Zauberflöte, K620. = Mademoiselle, Miss. The comic and earthy are represented by the baritone, Papageno, while true love in its noblest forms is conveyed by the tenor, Tamino, and the soprano, Pamina. He drinks and teasingly asks whether she has a boyfriend. The same happens when he goes to the entrance on the right. Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off. Contribute | PAPAGENA They find the unconscious prince extremely attractive, and each of them tries to convince the other two to leave. What a pleasure that will be, Watch videos with other singers performing Pa-Pa-Pa-Papageno… The first studio recording of the work, with Sir Thomas Beecham conducting the Berlin Philharmonic, was completed in 1938. Papagena! Welche Freude wird das seyn, 1220 Bernoullistraße 4 Stg. Pa, pa, pa, pa, pa, pa, gena PAPAGENO Ah, defend me! He describes his life as a bird-catcher, complaining he has no wife or girlfriend (aria: "Der Vogelfänger bin ich ja" / The birdcatcher am I indeed). Scene 3: A grove in front of a temple, Scene 2: The courtyard of the Temple of Ordeal, Scene 9: A rocky landscape outside the temple; night, Der, welcher wandert diese Strasse voll Beschwerden, The genre of the work is hard to specify. Pa-Pa-Pa-Pa-Pa-Pa-Papagena! Tamino plays his magic flute. About | Synopsis. = Madame, Mrs.; "Mlle." According to Seyfried's memories (which he published in the, I[mperial] & R[oyal] priv[ileged] Wieden Theatre / Today, Friday 30 September 1791. 1 - Introduction TAMINO Help! Festival 2019 gallery. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. Die Zauberflöte has become the best-known example of this genre not only owing to the fairy-tale story in which by means of a magic flute and his comical companion, Papageno, Prince Tamino seeks the way to Princess Pamina, daughter of the Queen of the Night, but also thanks to the references to Masonic symbolism and, naturally, Mozart ’s engrossing music. Protected by the music of the magic flute, they pass unscathed through chambers of fire and water. (Aria: "Ein Mädchen oder Weibchen" / A girl or a woman). [i] There is then a scene change without interrupting the music, leading into Scene 9. PAPAGENO Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. The Queen is not pleased. Wenn dann die kleinen um sie spielen, DIE ZAUBERFLÖTE First performance: 30 September 1791, Freihaustheater auf der Wieden (Vienna) Libretto: Emanuel Schikaneder Music: W.A. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. The libretto is also a natural continuation of a series of fairy tale operas produced at the time by Schikaneder's troupe, including an adaptation of Sophie Seyler's Singspiel Oberon as well as Der Stein der Weisen. She disappears as Papageno asks for her name, and the three child-spirits bring in food, the magic flute, and the bells, sent from Sarastro (Trio: "Seid uns zum zweiten Mal willkommen" / We welcome you a second time). Two men in armor lead in Tamino. It then made "triumphal progress through Germany's opera houses great and small",[9] and with the early 19th century spread to essentially all the countries of Europe—and eventually, everywhere in the world—where opera is cultivated. There is then a scene change without interrupting the music, leading into Scene 10. Orchestra, Chorus: Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor. After an exciting last-minute Met debut in Rossini’s Le Comte Ory in 2013, Pretty Yende returned a year and a half later not as another bel canto heroine but as Pamina in Mozart’s beloved fairy tale Die Zauberflöte. 056-Papageno-Svenska teatern 3.jpg 202 × 310; 28 KB. Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away. This instrument has since been lost to history, though modern day scholars believe it to be a keyed glockenspiel, which is usually replaced with a celesta in modern-day performances.[28]. Tamino and Papageno are led in by two priests for the first trial. On 28 December 1791, three and a half weeks after Mozart's death, his widow Constanze offered to send a manuscript score of The Magic Flute to the electoral court in Bonn. Es ist das höchste der Gefühle, Text by ... Pamina and, with her, the powerful circle of the sun from Sarastro. SHARE. The Queen of the Night is seen by some to represent a dangerous form of obscurantism, by others to represent Roman Catholic Empress Maria Theresa,[19] who banned Freemasonry from Austria. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion, Papagena. Solomon continues: Mozart's delight is reflected in his last three letters, written to Constanze, who with her sister Sophie was spending the second week of October in Baden. Like The Magic Flute, Der Stein der Weisen was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. (Aria: "Der Hölle Rache kocht in meinem Herzen" / Hell's vengeance boils in my heart). The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Editors’ Notes Mozart’s final opera, premiered in 1791, the year of his death, is also arguably his greatest work. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F2 in a few locations. Papageno and Pamina hear the sound of Sarastro's retinue approaching. Bist du mir nun ganz gegeben? Note the change in billing. (Aria: "Ach, ich fühl's, es ist verschwunden" / Oh, I feel it, it is gone) She leaves in despair. [7], The opera celebrated its 100th performance in November 1792, though Mozart did not have the pleasure of witnessing this milestone, as he had died 5 December 1791. In ensembles, Mozart skillfully combined voices of different ability levels. After arguing, they reluctantly decide to leave together. Papagena! Pa - Pa - Pa - Pa - Pa - Pa - Papageno. Wonderful rendition of Papagena/Papageno's duet from Die Zauberflöte. News & Features. Photos. So now be my darling little wife! Coro: O Isis, und Osiris, welche Wonne! The Magic Flute is currently among the most frequently performed of all operas. Wolfgang Amadeus Mozart. 5 - Bundesländerhof - Bronzerelief Papageno von Oskar Bottoli 1966 IMG 7518.jpg 1,500 × 2,000; 658 KB. Opera Friday 10th july – 21h00 Cour des hospices. Singspiel in german in 2 acts, created the 30th september 1791 in Vienna. Pa, pa, pa, pa, pa, pa, geno Pa-Pa-Papagenas Then another Papageno! [34], The first known recording of The Magic Flute's overture was issued around 1903, by the Victor Talking Machine Company and played by the Victor Grand Concert Band. In composing the opera, Mozart evidently kept in mind the skills of the singers intended for the premiere, which included both virtuoso and ordinary comic actors asked to sing for the occasion. She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. ), segued into trio "Stirb, Ungeheuer, durch uns're Macht!" [15][16][17] Schikaneder and Mozart were Freemasons, as was Ignaz Alberti, engraver and printer of the first libretto. / Oh, what luck, my Tamino!"). They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. Duets | Soloists: Christian Boesch (Papageno), Martti Talvela (Sarastro), Peter Schreier (Tamino), Edita Gruberová (Königin der Nacht), Ileana Cotrubas (Pamina), Edda Moser (Erste Dame), Ann Murray (Zweite Dame), Ingrid Mayr. Productions of the past century have tended to be more faithful to Mozart's music, though faithful rendering of Mozart and Schikaneder's original (quite explicit) stage directions and dramatic vision continues to be rare; with isolated exceptions, modern productions strongly reflect the creative preferences of the stage director.[11]. On the reception of the opera, Mozart scholar Maynard Solomon writes: Although there were no reviews of the first performances,[6] it was immediately evident that Mozart and Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the 1790s.[7]. He is pursued by a serpent. PAPAGENO Explore Die Zauberflöte . The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence (Duet: "Bewahret euch von Weibertücken / Keep yourselves from women's tricks"). In contrast, Mozart's sister-in-law Josepha Hofer, who premiered the role of the Queen of the Night, evidently needed little such help: this role is famous for its difficulty. There is then a scene change without interrupting the music, leading into Scene 7. So liebe kleine Kinderlein. PAPAGENO Hm! (Aria: "Alles fühlt der Liebe Freuden" / All feel the joys of love) He is about to kiss the sleeping Pamina, when the Queen of the Night appears. Pa - Pa - Pa - Pa - Pa - Pa - Papagena! The casting of the roles relies on the actual vocal range of the part. Die Zauberflöte was written with an eye toward a popular audience, but the varied tone of the work requires singers who can specialize in several different musical genres. It is the greatest feeling Breakdown. / Papageno! The child-spirits restrain her and reassure her of Tamino's love. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her. Nun so sey mein liebes Weibchen! Die Zauberflöte Mozart’s magical fairy tale Die Zauberflöte is a Glyndebourne favourite, with a host of productions gracing the stage since its 1935 debut. [27], The work is scored for two flutes (one doubling on piccolo), two oboes, two clarinets (doubling basset horns), two bassoons, two horns, two trumpets, three trombones (alto, tenor, and bass), timpani and strings. The Queen leaves and the ladies remove the padlock from Papageno's mouth with a warning not to lie any more. Papageno, the Queen of the Night’s bird-catcher, is quick to claim the credit, but is soon corrected by the queen’s three ladies. Together Tamino and Papageno set forth (Quintet: "Hm! Nikolaus Simrock published this text in the first full-score edition (Bonn, 1814), claiming that it was "in accordance with Mozart's own wishes" (Allgemeine musikalische Zeitung, 13 September 1815). He promises that Tamino's confusion will be lifted when Tamino approaches the temple in a spirit of friendship. Monostatos brings in Tamino. © Opera-Arias.com 2011-2019. Singers | Ah, save me! Aria: In diesen heli'gen Hallen kennt man die Rache nicht • 16. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Gender Male Age Range Adult Role Size Lead Dancing Non Dancer Voice … Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. Die Zauberflöte (The Magic Flute) Updated February 11, 2017 | Infoplease Staff. [2], The libretto for The Magic Flute, written by Schikaneder, is thought by scholars to be based on many sources. PAPAGENA BEYDE Papageno and Pamina enter, searching for Tamino (trio: "Schnelle Füße, rascher Mut" / How strong is thy magic tone). They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death ("Der, welcher wandert diese Strasse voll Beschwerden" / He who walks this path weighed down with cares). Papageno complains of thirst. Offstage, the priests hail their triumph and invite the couple to enter the temple. As Mozart's letters show, he was very pleased to have achieved such a success. But from the entrance in the middle, an old priest appears and lets Tamino in. Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos (Johann Joseph Nouseul) are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments. Die Zauberflöte (Everding) Grand opera in two acts (1791) Music by. [25][26], While the female roles in the opera are assigned to different voice types, the playbill for the premiere performance referred to all of the female singers as "sopranos". The council of priests of Isis and Osiris, headed by Sarastro, enters to the sound of a solemn march. Mozart Cast (in order of vocal appearance): Tamino, tenor (Benedikt Schack) First Lady, soprano (Mlle Klöpfer) Second Lady, soprano (Mlle Hofmann) Third Lady, soprano (Mme Elisabth Schack) Papageno, bass (Emanuel Schikaneder) The Queen of the Night, … The three ladies appear and try to frighten Tamino and Papageno into speaking. Papageno! Pamina is dragged in by Sarastro's slaves, apparently having tried to escape. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative and aria: "O zittre nicht, mein lieber Sohn" / Oh, tremble not, my dear son!). He invokes the gods Isis and Osiris, asking them to protect Tamino and Pamina (Aria and chorus: "O Isis und Osiris / O Isis and Osiris"). They give Tamino a portrait of the Queen of the Night's daughter Pamina, with whom Tamino falls instantly in love (aria: "Dies Bildnis ist bezaubernd schön" / This image is enchantingly beautiful). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell". The Magic Flute (Die Zauberflöte in the original German) is, like so much of Mozart’s work, available to audiences on multiple levels. Terms | Sich ihres Ebenbildes freun. "But what always gives me the most pleasure is the silent approval! / Just come in, you fine little dove!). Die Zauberflöte was written with an eye toward a popular audience, but the varied tone of the work requires singers who can specialize in several different musical genres. BEYDE Sarastro announces the sun's triumph over the night, and hails the dawn of a new era of wisdom and brotherhood. She offers sympathy and hope to Papageno, who longs for a wife. He went to hear his opera almost every night, taking along [friends and] relatives. ... Arnold Östmans Mozart-Zyklus gehört zum spannendsten, was die Originalklangwelle hervorgebracht hat, und die Zauberflöte ist neben dem spannenden Figaro ein absoluter Höhepunkt der Reihe.

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