-Bridgerton (@bridgerton) April 2, 2021 The first season of "Bridgerton," created by showrunner Chris Van Dusen , is an adaptation of Julia Quinn's romance novel "The Duke and I." Then there’s the money question. With Phoebe Dynevor, Regé-Jean Page, Nicola Coughlan, Jonathan Bailey. . , at their wits’ ends trying to make sense of this sexy, gossipy, frothy Regency costume drama, also tried to characterize it in terms of beloved on-screen classics: These comparisons convey some bafflement, an uncertainty about how to categorize a show that isn’t really a realist historical drama, nor an edgy satire, nor a campy soap. “If you go in watching ‘Bridgerton’ and say, ‘I think I’m watching Jane Austen,’ you’re going to be disappointed. Greaney's novel began a bestselling book series, and it is expected that Gosling will continue in the role in multiple film installments. “We all have these fan worlds that when they’re exposed to other people that aren’t a part of that world we might feel protective of, or feel bashful,” she said. Shonda, who has signed a nine-figure deal with Netflix, was determined to have Bridgerton as her first outing with the streaming service. Netflix’s upcoming feature film, The Gray Man, has the biggest budget the streaming service has ever had, with a budget upward of $200 million, according to Deadline. And for a prestige TV budget, many viewers expect a period piece to be an ambitious work of art, not a faithful adaptation of a cheap paperback they might see in a grocery store aisle. The Sun website is regulated by the Independent Press Standards Organisation (IPSO), Our journalists strive for accuracy but on occasion we make mistakes. “Netflix is TV that you binge or chill or fall asleep to, TV for relaxing,” he wrote. Eagle-eyed viewers have been quick to comment on what they saw as a … The hit Netflix series took to its official Twitter account to reveal that the actor, 31, who plays Simon Basset, the Duke of Hastings, won’t be appearing on season two. One viewer writes: “Bridgerton has an on-screen rape scene of a black man. As Jane Hu wrote in, of Netflix’s other recent soothing period hit, “The Queen’s Gambit,” “the visually ornate period piece approaches something like a nostalgic fetishization of whiteness in decline. Historical romances live in these tensions — the escapism of another time battling against the more enlightened social attitudes of the modern era; sheer fantasy coexisting with a critique of gender roles, or even the slave trade and colonialism. They were under the direction of New York designer Ellen Mirojnick, who is known for her stunning work on 2017’s The Greatest Showman and last year’s 3D fantasy flick Maleficent: Mistress Of Evil. “You don’t get it!” I wanted to shout. On Christmas Day 2020, Shondaland’s “Bridgerton” arrived on, “It’s a little bit of Jane Austen meets ‘Gossip Girl’ with maybe ‘49 Shades [of Grey’],”. A novel stuffed with sex scenes and building toward a tidy happy ending may be tricky to adapt for network TV, which needs to keep things a bit cleaner — and keep the narrative drama going indefinitely. In her review of the show, Patricia Matthew, an associate professor of English at Montclair State University, placed it in a long artistic tradition of Black women depicted in Regency settings. “It’s a little bit of Jane Austen meets ‘Gossip Girl’ with maybe ‘49 Shades [of Grey’],” he told The Wrap in a December interview. Bridgerton's production rivals that of the most prestigious dramas to date - and likely has a budget to match. . There is even an orchestral version of US teen singer Billie Eilish’s song Bad Guy. The visual equivalent of a $7.99 mass-market volume calls for a prestige TV budget. A Regency romance is set in a fantasy version of British high society in the early 19th century, and the central action revolves around the courtship between a woman (often a well-bred beauty) and a man (often a rakish peer). “[T]he immaculately rich interiors and production detail of ‘The Queen’s Gambit’ make it less a period piece than a kind of fantasy of what the past was like, or could have been, the past re-imagined as product.”, For Black women, this is particularly true. Regé-Jean Page's time on the hit Netflix regency drama 'Bridgerton' has come to an end. The first original Netflix series from Shonda Rhimes (the same showrunner of “Grey’s Anatomy”), “Bridgerton” is a big budget production with a stellar cast. The production budget is typically prepared for a "push" manufacturing system, as is used in … They should not make one feel: ‘I want to go to there.’ Instead, the effect is more like: ‘I can never go back there again.’”, When we see such a glossy period piece, in other words, we expect the trenchant historical insight of a “Mad Men” or Austen — not Harlequin. The production budget is a quantity budget. Bridgerton is an American streaming television period drama series created by Chris Van Dusen and produced by Shonda Rhimes. The Gray Man will be the biggest budget film that Netflix has produced, with a budget over $200 million. At the same time, she said, we don’t want to see heroines who are marriage-obsessed and weak. FORGET the bonnets and coy blushing of other period dramas – Bridgerton does not shy away from loosening the corsets for some full-on sex scenes. Ben Miller, 54, once half of comedy duo Armstrong & Miller plays Lord Featherington. Production on the first film will begin in Los Angeles in two weeks. The first, an al-fresco romp up against a tree while a nearby footman looks away explodes less than three minutes into the first episode. She said: “We’ve made them overdecorated, overzealous and over the top. (“Bridgerton” reportedly had an eye-popping budget.) On social media, one fan with the handle @Bridgertonnow, posted: “All I need is Bridgerton Season 2. Why has this omission persisted for so long? The piece I pitched never materialized, but the object of my longing did. Deadline reports: ‘The on-demand platform is hoping that it will kick-start a new film franchise with a James Bond level of scale.’ In the book, this is portrayed as a spur-of-the-moment decision by Daphne and her husband is drunk, but in the show it is more calculating and Simon is clearer-headed. Kathryn Drysdale, 39, who plays Madame Delacroix, is a familiar face thanks to her role as Louise Brooks in BBC sitcom Two Pints Of Lager And A Packet Of Crisps. But if you think it looks ugly, that’s OK.”. “Romances are so infused with these issues that I [am] really passionate about, and they explore it through this really fun, romantic, swoony, but still very intellectual, thoughtful, accessible lens.”. Netflix fans spot Bridgerton filming blunder with 'Primark poster' in 19th century Bath; The plot thickened when viewers went on to realise that Queen Elizabeth II’s (Olivia Colman) office was also the very same one the Duke used in Bridgerton. A Regency romance is set in a fantasy version of British high society in the early 19th century, and the central action revolves around the courtship between a woman (often a well-bred beauty) and a man (often a rakish peer). They consummate their attraction in improbably acrobatic sexual encounters, and then they live happily ever after. My private indulgence, one generally viewed with dismissiveness if not contempt by non-romance readers, had become the target of a full-blown cultural discourse. I’m begging the heavens to let it happen.”, Rege-Jean Page, as Simon Basset seems to be getting the most attention, though. Don’t really worry about other things. Fans have been shocked to hear her prim tones describing scandals in Regency society in salacious detail. That’s not how that narrative usually unfolds … they make her such a sympathetic character without making her weak or obsequious. It’s no bad thing to follow Simon and Daphne’s journey to a place where sex is joyous.” Phoebe said: “It never felt like the sex scenes were just there for the sake of the sex. It features an ethnically diverse cast, including a black Queen Charlotte, sexually charged dances and explicit bedroom scenes. To this day, the people deciding which films and shows to finance are almost entirely men. And looking at the cast, it’s easy to see where that money is going. “[Marina] is drawn with a different set of challenges to face that mirror Daphne’s around childbirth. They consummate their attraction in improbably acrobatic sexual encounters, and then they live happily ever after. Nicola Coughlan, 33, has gone from Derry Girls to posh girl and is almost unrecognisable under an auburn curly wig as witty daughter Penelope Featherington. Bridgerton's Regé-Jean Page has joined the cast. One social media user posted a shot of him as Simon and gushed: “My guy! We’ll miss Simon’s … (“Bridgerton” reportedly had an, When we see the telltale signs of a period piece, we have reason to expect something that will submerge us in the era being depicted, in all its grit as well as its glamour. It determines the number of units of a … It has reportedly achieved record ratings and is already set for a ­second series. Hold your hearts, 'Bridgerton' fans, as the Dyke of Hastings will not be gracing us with his presence in the second season of the Netflix show. In the 1970s, novels typically featured brooding alpha males who took what they wanted sexually ― a narrative device, MacLean argued, for the fictional heroines of the time to have plenty of sex without being seen as loose and deserving of punishment. “The economics and politics of that world that Bridgerton makes, it just makes no sense. Bridgerton: Where to see Rege-Jean Page next as he announces he won’t be back for season 2 Louise Griffin Friday 2 Apr 2021 8:35 pm Share this article via … -Bridgerton (@bridgerton) April 2, 2021 The first season of "Bridgerton," created by showrunner Chris Van Dusen , is an adaptation of Julia Quinn's romance novel "The Duke and I." “I think it’s a response to our audience needs, not to see women as simply in the service of strong, often wicked men,” she said. “You had that figure of the ‘tragic mulatto,’ who’s the mixed-race woman whose narrative requires her to have a bad end,” Matthew pointed out. Tap here to turn on desktop notifications to get the news sent straight to you. But ultimately, she said in a phone interview, “Nobody’s reading Julia Quinn because they’re looking for disquisitions on historical precedent.”, Why has this omission persisted for so long? She pointed to the scene in which Daphne Bridgerton punches a loutish suitor who attempts to compromise her, as a moment that would not have appeared in a Regency romance even a few decades ago. They fall in love, and there’s a payoff! Bridgerton producer Chris Van Dusen said: “Period shows tend to be a little conservative and a little traditional. As Jane Hu wrote in a skeptical Vulture review of Netflix’s other recent soothing period hit, “The Queen’s Gambit,” “the visually ornate period piece approaches something like a nostalgic fetishization of whiteness in decline. But sometimes I wanted more, wanted to see the gossamer petticoats and lingering glances and gently unfastened bodices. Netflix’s upcoming feature film, The Gray Man, has the biggest budget the streaming service has ever had, with a budget upward of $200 million, according to Deadline. "The Sun", "Sun", "Sun Online" are registered trademarks or trade names of News Group Newspapers Limited. “Netflix is TV that you binge or chill or fall asleep to, TV for relaxing,” he wrote. But production design might be the one part of the show that is most seated in historical accuracy, with executive producer Shonda Rhimes and Van Dusen giving Hughes-Jones the distinct pleasure of a very large, blank slate, so to speak, with which to create the halls and walls, the rooms and gardens that hold all of those aspects which together create the world of Bridgerton. Directed by Joe and Anthony Russo, whose most recent blockbuster was Avengers: Endgame, The Gray Man will be Netflix's biggest-budget movie ever. The production really made me want to pursue a career in film and television production. Netflix is turning their hands to period drama with Bridgerton, a big-budget series that follows the fortunes of an aristocratic family living in London during the early 1800s. It feels a little Jane Austen-y, but it doesn’t work like a Jane Austen novel.”, Nor is period romance merely a form of realist period fiction. Perhaps it was inevitable that Netflix and Rhimes would be the ones to plunge full-throttle into a genre defined by happy endings, unqualified pleasure, and a vanished historical setting that looks good enough to eat. In a Medium essay on the series, Tressie McMillan Cottom argued that the adaptation’s addition of people of color to “Bridgerton” coupled with a light-handed explanation of their presence, made historical escapism possible for Black viewers, who are often confronted with brutal reminders of slavery and colonialism when consuming historical fiction. Wealth, lust, and betrayal set against the backdrop of Regency-era England, seen through the eyes of the powerful Bridgerton family. Many of the critiques, understandably, seemed rooted in unfamiliarity with the genre’s conventions, or in the expectation that “Bridgerton,” which is based on a series of books by Julia Quinn, would resemble a “Pride and Prejudice” remake. The steamy drama, about wealth, lust and betrayal in Regency-era London in the early 1800s, centres on the posh Bridgerton and Featherington families. Bursting though a romance novel may be with carefully researched, period-accurate details about Vauxhall entertainments, Almack’s vouchers or ribboned chemises, these novels really aren’t about the Regency era, or at least not primarily. Saturday evening, the Netflix … And amid all the sex and swooning and utterly frivolous fashion, there are stories about the relationships we want to have, the work that goes into making them, and the social context that shapes them. Instead, a successful romance constructs a world that directs you to focus on a story of love and possibility, and it lets that be sufficient. For Black women, this is particularly true. The visual equivalent of a $7.99 mass-market volume calls for a prestige TV budget. But in this scene, Daphne straddles him during sex and continues to the end despite his clear reluctance. “The work of the romance is to show characters in hope and prosperity and joy and love.”. “There’s a sumptuous world that has to be depicted, and it seems like that’s a very expensive endeavor,” Matthew said. There's juicy drama, scandal, political machination, and a mega-production budget — basically everything great about Bridgerton, minus the sex. I was deep in a Regency romance binge a few years ago when I pitched a highly self-interested piece to my editor: an investigation into why. When we see the telltale signs of a period piece, we have reason to expect something that will submerge us in the era being depicted, in all its grit as well as its glamour. Eagle-eyed Coronation Street viewers will recognise her surname and that petite frame and porcelain complexion. In the interest of keeping things fresh, a whole host of new actors are joining the already much-loved cast. It feels a little Jane Austen-y, but it doesn’t work like a Jane Austen novel.”, Nor is period romance merely a form of realist period fiction. On Twitter, many viewers feel it is sexual assault and should have been omitted from the TV series or at least addressed afterwards. I was deep in a Regency romance binge a few years ago when I pitched a highly self-interested piece to my editor: an investigation into why this didn’t exist onscreen. ‘Bridgerton’ Isn’t Bad Austen — It's An Entirely Different Genre. For other inquiries, Contact Us. Whereas romance novels are relatively cheap to publish, printed in the most inexpensive format (mass-market paperbacks) and typically garnering small advances for authors who churn out multiple volumes per year, the vision they conjure is decadent, over-the-top. In a fake news alert, they wrote, "It was initially thought that filming for the new episodes was about to commence this month, but a spokesperson for Netflix has now officially announced that this is actually for season three, and the second was filmed …

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